It opens like a ...And Justice For All-era influenced crossover thing, but then it turns into an amalgamation of metallic hardcore, crunchy guitar '90s melodic punk and about five other things that could only have existed on the same recording in that glorious but lost decade of punk when there were no suppositions, no rules, and you just simply liked what you liked and played what you wanted to play. Clean guitar surf break in "Un Dia En La Vida" before breaking into third wave ska? Why the fukk not - and it rules.
1 comment:
Malas Influencias from Uruguay, no Argentina
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