06 August 2014


Weird dark drones set to the monotonous rhythm of a distorted hi hat make up the entirety of the first track. But instead of building up to a chaotic crescendo, TERENCE HANNUM spends the remaining three tracks on a tripped out cool down, blending subtle space age keyboards with a background of white distortion and, for one piece, piercing spastic digital frustration. "Final Salt" does its job as the closer, a dozen minutes of trying bliss that will put an end to your day before it gets off the ground.

1 comment:

thousandfolded said...

This is quite good, thanks.