05 May 2010

PIG HEART TRANSPLANT/DEATH AGONIES


More madness from PIG HEART TRANSPLANT, this time in the form of a repetitive dirge that takes just over seven minutes to explode. This noise harnesses the desperate intensity of the more avant SWANS works but achieves an eeriness all it's own - awesome. The other side of this tape is Canada's DEATH AGONIES (one of many ENDLESS BLOCKADE associated projects) who deliver a monotonous mind numbing drone that builds with the subtlety of a dentist's drill into a soaring electronic wash and the fades into a 3 minute respite before pure chaos ensues.  A painful 20 minutes.


04 May 2010

STRIPMINES


North Carolina's Suburbanite Records fucking nail it again with this three song ripper from STRIPMINES. Japanese influenced - and southern rage drenched - hardcore the kind of shit that really makes my blood boil. The middle track is a mid tempo plodding number that might fall flat on its own, but it is bookended by two total scorchers. There is no reason why this band shouldn't be mentioned in the same breath as heavyweights from the south like DEATHREAT, DOUBLE NEGATIVE, BURY THE LIVING...you get the drill, this rules.




Suburbanite is here, you can get this and the THIEVES in one convenient package.

03 May 2010

FLIPVILLE


This record/toy/junk store was across the street from the bar where I worked in Milwaukee, and I stopped in often. For months I would just marvel at the STUFF, it was one of the stores where you have to walk sideways to get from Point A to Point B, just piles of shit everywhere and gem after gem buried in those piles, so you know it's worth looking through but you just don't know if you have the time or the gusto to dig in. Everything was overpriced...like WAY overpriced, so I just kinda treated it like a bizarre dump museum and looked through shit, occasionally buying a $10 UK punk single here and there. One day I found something I really wanted (THE DRONES "I Just Wanna Be Myself") but it was marked at $20 and that was just silly, so I turned to the proprietor, a 50ish gray bearded long haired and excessively disheveled fellow, and asked "Would you go any lower than $20 on this record?" He said that he would, and asked what I was thinking, "I don't want to seem rude, but I really wouldn't pay more than $10 for it," was my reply. After much silent consternation on his part (enough that I thought my 50% lowball offer had pissed him off) he said, "I really couldn't go any lower than $8 on that one." $10 later and out the door, I started thinking about all the expensive records I had passed up in that store, and the next day started attacking those punk/new wave boxes hard. Geoff got nicer (well, he was always nice, he was just socially awkward and a rather imposing physical specimen), and I started giving him money - lots of money - in exchange for killer fucking records. A large portion of the gems in my collection came from that store, and my friends bought the ones that I missed (how was I supposed to know that a Version Sound press of Cows And Beer was in the fucking "Locals" box mixed with a bunch of soul/R&B 45s for $40?!).  Stores like Flipville are a dying breed; they rate zero in the customer service department, but they put the adventure in the hunt, and these are the dudes with the stories, not the computer collectors just looking for the next flip. 

I found out last weekend that Geoff passed away. He hadn't felt well for a while, but put off going to the doctor because doctor visits are not pleasant, and by the time he did the cancer was everywhere...he died a few months later. When I talked to another record store owner in the neighborhood, he said that Geoff had family and a few trusted friends going through everything and sorting the trash from the treasure. Knowing what an ordeal this would be, Geoff spent his last months making lists of what was what and where it was. But more importantly, knowing that collectors are all too often scumbags and leeches, he made a list of questionable characters who might offer their services to family members trying to sort through the stuff. The list was headlined: "DON'T TRUST THESE SLEAZEBALLS." Like my friend said to me on the phone, "You can get away with a lot when you are dead." 

Here's the write up from the Express Milwaukee website: A Eulogy For Stinky, and the last line of the obit that ran in the Journal is fukkn brilliant: "Please honor his life with your own celebration; have a party, watch the sun rise, go fishing, or spin some vinyl." We should all be so lucky...

WARZONE


No frills UK punk from WARZONE circa 1985. The verses of "Frightened City" are drenched with PETER & THE TEST TUBE BABIES, but with a snarling vocal delivery. The second track is a quality sing along burner and the singer channels a little Lemmy (makes me think how fucking great a MOTORHEAD punk record would have been, even if they had only done it as a pisstake). "Where's The Choice?" is a dreary plodding moody number, totally heavy and superbly simple guitar leads. And then that's it...three songs.

02 May 2010

GAS CHAMBER


My friend Dave is from Buffalo, and has done time in some of that cities finer musical acts, and a little over a year ago when he told me that he was going to bring me a tape from a Buffalo band that would blow my mind, I believed him.  You see, Dave likes stuff that is good, and if he doesn't like it then he tells you and you are still friends unless you are really uptight and/or sensitive. Dave brought me this GAS CHAMBER demo, and holy shit even with his endorsement as a preparatory tool, I was still devastated - these ten songs clearly come from another planet. Harnessing the power of NO COMMENT and other early powerviolence brutality, GAS CHAMBER put sounds through a filter that is purely their own, and present these ten tracks of uncompromising pain and fury. The guitar alone manages to hold these songs together, while the bass acts as the lead instrument and the drums go off on nonsensical and ferocious tangents but somehow manage to lead the songs to their merciful end. And speaking of tangents, the last half of "Comfort Food" comes completely out of left field, and serves as a subtle nudge to remind you that these dudes are way over your head. The lyrics range from agonizing to nihilistic, and fit the songs perfectly. This is rust belt frustration with CROSSED OUT delivery, a fucking perfect demo tape.



Update: After the recording of this demo, Dave moved back to Buffalo and joined GAS CHAMBER on guitar. The GAS CHAMBER album "Hemorrhaging Light" is currently available on Iron Lung Records. It is incredible.

01 May 2010

TZN XENNA


TZN XENNA are one of my favorite 80s Polish bands; inescapable catchy hooks and all out fury at the same time, while harnessing that indescribable darkness that the best Eastern Bloc bands have. 30 full minutes of TZN XENNA for your Saturday, starting with their two tracks from the 1986 Jak Punk To Punk compilation and the "Dzieci Z Brudnej Ulicy/Ciemny Pokoj" EP from the year before.  I'm curious about the song order - one song from the EP, the two from the comp and then the flip side of the EP, kinda makes no sense. Also, these tunes sound like they might be from a different session, but then the tape might just be recorded at a slower than normal speed...I've played them against the EP and a downloaded version of the EP just to check, and these versions definitely sound a little slower...your guess is as good as mine (in other words: listen and share your guesses). After these four tunes come 10 ragers from a TZN XENNA rehearsal, killer raw versions of songs I already love ("Twoja Wojna," "Zrob Cos" and the Jak Punk To Punk tunes) along with three songs I wasn't able to identify (again, assistance is always appreciated - where is Marek when I really need him!).  These tracks fill up one side of a tape, with ABADDON and REJESTRACJA taking up the other side (you'll get those tunes in the coming days)...no artwork on this tape, so here's the cover for the EP and a sweet logo for you to put on your punk jacket.




For what it's worth, I learned just last year that the phonetic pronunciation of this band's name in Polish is "Teh-Zed-En Zenna," and not the simpler Americanized "Zen Zenna" I was used to. I was asking my buddy about them for about a day and a half before we realized what band I was talking about. 

30 April 2010

THE WILL TO DIE


Another Friday, another comp tape...is this shit getting old? I hope not, because I've got fukkn heaps more of these things. The Will To Die comes from Smash Apathy fanzine, and I can only imagine how all over the place that zine must have been based on this tape. Primarily New York/Philadelphia/New Jersey acts (with the exception of SUBHUMANS), this is 90 minutes filled with noise, punk rock and live chaos: MURPHY'S LAW (just their theme song, live and rowdy), ED GEIN'S CAR, total noise from SMERSH, ROK TOTS, THE NILS, SFA, a fucking insane freakout from COED HOMOSEXUAL, GSS, LETCH PATROL and others. 30 tunes here from 21 bands, and excepting the really bad PRIEST cover (granted they altered the lyrics, but it's still rather trying) and one shitty tune, this thing smokes. Now if only I would tell you which one was shitty so you could skip it...but I won't.

THE WILL TO DIE Side A
THE WILL TO DIE Side B