On the recent CONQUEST FOR DEATH tour, I was lucky enough to not only spend time with heaps of old friends and acquaintances, but meet a long list of new punks, metalheads and ragers and see a pile of bands I had never heard of before our trip. That's the point for me, and it's the main reason most of us keep doing this shit...I want to get floored by LAI SEE in Beijing, and I want to have brief heart-to-hearts that will stay with me for years, even if our paths don't cross again. These punks from the Philippines provided me with similar experiences in 2008, even though RUSH IxDx was a side project on hiatus when we were there. We played with members' other bands in Lucena, and got floored like we wanted and had the heart-to-hearts like we hoped...and the encounters are still with me years later. This outfit reassembled in 2009 to make this recording (A-side is their studio output, live versions and some extra covers on the flip), and fans of The Fast Shit will lament that this handful of tracks is all you're gonna get. Good times, kids...but good times with a point. That is what this thing is all about.
11 May 2015
10 May 2015
PLUTO!
If you thought I was going to start back up with some crucial piece of Asian hardcore history that I unearthed on my recent journey, then I'm sorry to disappoint you. Unfortunately I wasn't able to hit Flower Records in Nakano (a hotbed of weird demos, I snagged the SEX one song banger there in '09), I passed on the handful of rare Japanese tapes I came across (wisely deciding that my Yen would be better spent on records), and cassette culture was a thing of the past before punk culture took hold China or South Korea. I did scoop a couple of Mongolian tapes that will intrigue the open minded and bum out punk purists, but those are for another day. Today you get noisy, raw, disjointed and irreverent Brasilian hardcore dished out by a crew of teenage punks and weirdos in the late '90s. The attitude here can be found in a lot of current Midwest HC rehash, the 6th unnamed track in particular would sit quite nicely amongst the pile of gold currently plopping out of Northwest Indiana's backside. Sharp, smart, and unabashedly filthy hardcore punk. Welcome back.
12 April 2015
OUT OF THE OFFICE....
The Escape is closing shop for a few weeks while I go on tour to places I've never been before and meet people I've never met before, and then I will go to places I have been before and hang out with rad people that I haven't seen in a while. Since you won't be getting a daily dose of audio insults to your intelligence and verbal diarrhea, might I suggest that you:
1) visit Maximum Rocknroll (and after you listen to the latest radio show, why not subscribe while you're in the neighborhood?)
2) visit Remote Outposts
3) listen to WHITE TRASH SUPERMAN
4) check this out because....well, just do it. Trust me.
I've been in CONQUEST FOR DEATH for almost a decade now, through a continuous credits reel of rotating members, understudies and fill ins. We've done some pretty crazy tours, and committed financial suicide more than a few times without learning our lesson. So this time we are playing in Mongolia, China, South Korea and Japan....hopefully I can get some tapes. I mean, you want me to get some tapes, right? Send me your good tapes vibes so I can score some unknown Mongolian metal cassette and then I can share it with you and we all win. Also, we have a new split EP with FLIPOUTA.A on 625 - I'm pretty stoked on it and I'm pretty excited to hang out with those monkeys in Japan. Also...did I mention that we are playing two shows in Mongolia? See you punks in May....
11 April 2015
LISTEN UP!
Killer, if fully predictable, Midwest hardcore. The shit is built for dog piles and the breakdowns are textbook entry level hardcore. Perfectly placed gang vocals belt out cringe worthy lyrics...it's kinda great.
10 April 2015
CONTRACAPITOL
When was the last time you listened to a rehearsal demo from a South African hardcore band? Probably been a while, huh? I'm here to help. You don't have to thank me, but you might want to imagine how much more killer these tunes might be if given the proper studio treatment. Not that this is bad, but nuances in tracks like "Another Bhopal" are kinda muddied by the rough recording...such is punk I suppose, and this tape is still crucial. Got this from some our hosts when CFD were there in 2007 - we played with member/s of CONTRACAPITOL in other bands at our second Johannesburg show....that was a really good tour. Met a lot of really good people on that tour, both at the shows and in the not-punk world.
09 April 2015
LARVAE
I like stories, and tour stories are especially appealing. I like hearing them, and I love telling them. Understandably, stories evolve over time...as our memories become more memories of the story and less memories of the actual incidents, embellishments and distortions are inevitable. But that's a part of it, and a part of what makes a good story. I can't tell you how many times I've heard a story and thought "I don't want to know if that's true or not, because it's a great story." We aren't news reporters and we aren't writing critical historical accounts, we are passing legends within our own small society, and that's what history is. I'm not supporting factual inaccuracies, but we need to acknowledge that an acceptable amount of distortion, revision and adaptation is to be expected in the interest of a good story. Enter: Shitbong. This is the way I remember a certain show on the FUCKFACE/HICKEY tour in 1996....
We rolled up to a house in Grand Rapids, Michigan. A young gentleman named Jizz greeted us at the door and showed us around the place we would be playing and staying...it was cold as shit, and the oldest person in the house seemed to be 15 years old at best. These kids were young, like "where are their parents" young, and had us all wondering if there were would be "adults" present. Not that I'm opposed to a 15 year old getting wild and partying (quite the opposite), but my grown up California ass in a house full of plastered runaways is a tough thing to explain to the cops that are inevitably going to come bust the show...these are things you think about in a free society, I suppose. Jizz introduced us to the kids, showed us to the basement that was barely big enough for our gear and only left space on the stairs for anyone to watch the band (should they even decide to pry themselves away from the party long enough to try....which seemed unlikely). After the basement, we saw a lethargic young man sitting on the couch, hovering over a giant pile of weed on the coffee table. Jizz introduced the guy as Shitbong. "Don't call me Shitbong man, that's not my name. My name's Mike," was Shitbong's reply. Jizz laughed, "Whatever, Shitbong." The show was fun, it never got warmer, kids did indeed crowd the stairs while our bands played, and I have no idea if we slept there or not. I'm sure Shitbong's given name has changed countless times as I've recounted the story over the years, but "Don't call me Shitbong, that's not my name" has been enough of a constant that it's crossed over into "don't care if it's true or not" territory.
I ran into Jizz a few times in Milwaukee, years after our initial meeting he was working in a tire shop and was always filthy with adult work scum instead of youthful party scum. He left town shortly after I arrived...and I eventually met (and worked with) a woman who knew Jizz in Grand Rapids and confirmed my memories of the punk house as a repository for wayward youth. Then I got this LARVAE demo from my pal Daniel a few months ago. Grand Rapids catchy hardcore circa 1995, anti-government, hell bent on partying, and unhinged as fukk. But more importantly: Shitbong was real!! If only I remembered meeting Spitter or Penis Dan - and I'm sure they were there - the story could be so much better.
08 April 2015
RHINOCERVS
More morose black metal from Southern California mystery outfit RHINOCERVS. I've said plenty here, and more than enough accolades have been heaped on the band elsewhere, so I'll spare you. Just know that this is slightly more introspective and slightly less brutal than some of the other RHINOCERVS releases, almost mellow in comparison to the brilliant eleventh release that preceded this one. But "more introspective" should not imply "less intense," and this three song untitled release is devastating in it's intensity...
Subscribe to:
Posts (Atom)












