I was having a conversation with my mother yesterday, discussing the nuances of stench core versus crasher crust and the minute but distinct differences between the Japanese and Swedish interpretations of DBeat. Most of these fascinating details were unfortunately lost on her (though she does acknowledge the differences between THE LETTERMEN and CHUCK BERRY). At one point, I inserted noise into our conversation - there's harsh noise wall and power electronics and ambient and drone and countless more subgenres, and I brought this up to demonstrate that the more you know about a subject, the more there is to learn about the same subject. Came home that night and Nathan texted me a reminder that CRUDITY totally rips (see: Swedish interpretations of DBeat) and then I listened to 2010's Culos Asados and tried to make sense of my day.
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