Hard driving St. Louis punk with the kind of loose, casual hooks that reminds me of OBSERVERS and '90s East Bay. But perhaps it's the vocals that really make SELF HELP stand out, powerful, up front belts that harness Anna Joy Springer's legacy and rockets it into the new millennium (and yes, I know that Anna Joy is still never active in this millennium, but I'm trying to make a pointless analogy here). Killer two minute creamers, one after another...addictive as hell.
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