31 October 2011

TRUNCHEONS


Staying in Montreal for another day, this Noise Punk Monday plays host to TRUNCHEONS. A ten track cassette with screaming guitars and throat melting yowls soaked in reverb. It takes a couple of songs for them to revert into pure DBeat, but when they do you wonder what took them so long...you can feel the sway of the crowd forcing you violently to the front of the room and then they shift gears and kick into a blistering rage. The shit is on point. Members of H.O.P.E., AFTER THE BOMBS, THE TOTAL END and others.



30 October 2011

VILE INTENT


I was pleased that Canada's VILE INTENT were every bit as ferocious live as their recordings suggest. Taking liberal cues from classic powerviolence as well as modern purveyors like THE ENDLESS BLOCKADE, these Canadian crushers unleashed their second EP earlier this year. It is great, and they were nice enough to make it available on cassette. 



29 October 2011

ABSURDO


Absolutely brilliant Spanish punk. Ferocious and impassioned guitars jangle and and scratch over breakneck hardcore punk delivered with such a delicately precise touch that ABSURDO almost come across as poppy, even though their attack is full throttle throughout. Vocals are snotty and snarled, and the songs are fukkn packed with hooks - fans of early '00s Copenhagen will eat this shit like candy. Fans of good punk rock will eschew such base attempts to woo potential fans and be genuinely and simply wowed by the brilliant jams. 13 songs in as many minutes, and enough quality to get you through the next week.

If available, additional copies can be acquired from cintespodrides(at)gmail(dot)com


28 October 2011

GET OFF MY LAND


A hunt saboteurs benefit cassette from the late '80s featuring a handful of bands you know (INTERNAL AUTONOMY, SOFA HEAD, AOS3) and heaps more that you are about to enjoy. BEDOOHA's first tune comes off like a killer WIPERS outtake, R.D.F. would have been a favorite of mine had I heard them at the time, and the B side of the tape is packed with lo-fi dub brilliance. HAPPY SHOPPERS' two drugged out tunes take the cake for my ears, while THE AK47s and a bedroom 4 track instrumental from MR. LULLEY are total winners.  A chilled out and not at all serious sounding comp, meant to benefit a wholly serious cause.

27 October 2011

CORROSION OF CONFORMITY

Last year the world was all a buzz about the mighty return of CORROSION OF CONFORMITY. The seminal North Carolina band was going to unleash their '80s fury on eager punks everywhere in the form of the lineup that brought us the Animosity LP. Rejoice!! Gone are the wasted 1990s and the groove metal and the (almost) top 40 hits and the revolving door of sterile "musicians" with long hair slogging away on the third tier cock rock touring circuit - C.O.C. are fukkn back!! They booked a west coast tour, and the punks were salivating - we've all seen the videos, and we know the records inside and out - early C.O.C. were the fastest and most sinister thing going. They were from North Carolina (and they looked the part), and the only thing more fierce than Reed behind the kit was Mike motherfukkn Dean with a four string assault weapon strapped to his chest - this band took the BLACK FLAG model, made it faster and re-tooled it for the second coming of hardcore....and they were back. There was a show booked in San Francisco with a ton of bands I was admittedly less interested in, and then I found out that an old friend's band was playing across town - so I skipped the show, convincing myself that it was probably going to suck anyway. It was an easy argument to make; CORROSION OF CONFORMITY had a really killer run, but it lasted only a few years until their first break up, and the two decades that followed are filled with utterly forgettable schlock that a small but determined handful of punks keep trying to make excuses for (no, Deliverance is not "pretty good for a rock record," it totally sucks). 1990s C.O.C. has about as much relevance as COLLECTIVE SOUL, so how could the people responsible for that crap possibly deliver anything other than a novelty punk reunion performance, good only for old timers and ex-punks who haven't seen a hardcore show in years, right? So I was on my way home from my friend's show when I got a message: "Got an extra ticket to the C.O.C. show - it's yours for free if you want it" (thanks, Paul), and in an instant all of my self convincing evaporated - "FUKKN Animosity!!" so I jumped in a cab.

4 track 1985 demo, aka The Good Shit

So what's the moral of the story? If you have seen the supposedly-once-again-awesome CORROSION OF CONFORMITY, then you know that they sucked. Sure, they were technically proficient, but it was sterile and limp. Getting a group of accomplished rock musicians to play hardcore is easy - we punks aren't typically virtuosos. But what I saw was a room full of eager fans trying to get excited while three accomplished rock musicians slogged through songs that they seemingly hadn't given a shit about for 25 years, and it was painful. It was the epitome of "going through the motions," a band who can no longer pull an audience with their commercial music falling back on what little street cred they have left to pry another $25 from the wallets of a handful of dedicated hopefuls. 

I started another cassette blog, the world apparently has more cassettes than Terminal Escape can contain. Escape Is Terminal will exclusively feature live recordings, and will be updated 2-3 times a week. Today's post is a C.O.C. set from Washington  DC, recorded in 1985, when they still had teeth.

26 October 2011

TUKAARIA // ODZ MANOUK


I will leave black metal accolades and descriptors to the experts, but rest assured that if I offer you a metal cassette on Terminal Escape then it is one that I feel achieves some significant goal. In the case of TUKAARIA, it is relentless and genuinely haunting lo-fo kvlt sounds presented as self absorbed goth music. ODZ MANOUK are even lower fi and more traditional black metal, with everything but a tinny guitar and sporadic crystalline keys buried in a wash of murky distortion. This is another release from the Rhinocervs label, who have yet to disappoint. 


25 October 2011

ROSE CROSS


Hopelessly dreamy female fronted garage punks from Georgia. Sweaty, filthy and distorted, this tape sounds like TYRADES felt the first time I saw them - ROSE CROSS are much more restrained, but it feels the same. Most of these tunes clock in around the one minute mark, and as infectious as the vocals are, their mastery of The Riff is what really puts this banger over the top. Blown out to shitsville, beer cans flying, this is brilliant.